Don’t own the pic. It’s a bit dreary, but fits the show well enough.
Definite spoilers ahead
Summary:
This season might feature Cersi’s stupider moments. But she comes to regret it. Dany’s in the midst of a revolution/rebellion. Gaining a throne is so much easier than maintaining it. Jaime’s on a rescue mission.
Additional Comments:
– Dany has a disagreement with her dragons. Balancing power and people and ideals is harder than it looks.
– Burning people is a thing. Sad. The move becomes key for Stannis’s downfall.
– The characters are nicely complex… there are moments of grandeur and horror.
– Arya’s part is mysterious and creepy.
– They sure burn a heck of a lot of candles
– I like Sam Tarly. He’s not a swashbuckling hero but he’s a good, decent man
– I like that we get to see the mother in Cersi.
– Cersi vs Marjorie is coming to a head
– Arya’s training is pretty awesome
– Right kind of terrible… nice
– Tyrion and Dany … interesting relationship
– And here I thought they forgot a disgusting thing… nope, child abuse and child sacrifice both present. Gladiator combat too.
Conclusion:
Poor Princess Mycella; poor Jon; poor Dany. Season had rather grim endings.
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Definite spoilers ahead! Since I’m probably the last person on Earth who hasn’t seen the show …. probably not a problem.
Summary:
The saga continues. The Lannisters stand mostly in control of Westros. Theon’s a hostage and plaything for Ramsey Bolton. Stannis is still listening to whispers from Melisandre. Cersi’s becoming more suspicious…if that’s possible. The Tyrells and Lannisters are playing nice with each other, sort of, well, at least on the surface.
Additional Comments:
– We’ve added cannabalism to the list of distasteful things that happen here.
– You finally get to see what happens to all those poor baby boys Crasta has been leaving in the woods.
– Flaying becomes a thing. That’s just nasty.
– Dany’s still liberating slaves in the East, but every time she leaves a city, something bad happens. She’s faced with a tough choice.
– The story has become predictable yet still nicely complicated. For example Liza’s fate. And Tyrion’s champion and subsequent fate.
– The night’s watch portion was a tad boring. They dragged on the “hey, danger is coming” thing the entire season. Episode 9 all that waiting finally pays off. It’s a great fight, a tad predictable though.
– Episode 10: I like the game of thrones take on dragons. They are still wild beasts, dangerous. Dany’s conflict is simple yet powerful.
– As usual, the show isn’t afraid to bump off characters.
– I like how complicated the characters can be. Arya and the Hound.
– I totally missed Elia being Oberyn’s sister. Heck, I barely knew her name. Too many people.
This season too ends on violence and a bit of a high note. A lot of the story is just the viewer waiting for the next nasty person to get what’s coming to them.
Associate links to follow…
(If you click through and buy something, there’s the chance I’ll earn like $0.04 … not kidding, that’s basically it.)
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Yet another look at the ugly chair everybody in Westros is scheming to warm with their behind. I do not own the rights to the pic.
*Contains spoilers*
Summary:
The story continues with Dany growing up and forging her way through dangers and deserts. North of the Wall, Jon Show has doubts about his vows but continues to do his duty, seeing a whole new, harsher side of life. In the seven kingdoms of Westros, there’s a heated war on for the throne. Renly Baratheon (sorry about spelling, never did read those character profiles on the bluray extras) squares off with his older brother. Catelyn Stark tries to get them to see reason. When that fails, she returns to her son’s camp and makes a tough decision. Stannus Baratheon deals with his brother, steals his army, and sails for King’s Landing.
Additional Comments:
– I enjoyed the fact that one episode featured the Battle for Blackwater Bay (or something like that) … Stannus’s attempt to deal with Joffrey.
– I shocked myself by actually hoping Cersi would survive. Lady’s a serious conniver. She had some nice speeches for young Sansa Stark.
– The ends a little anticlimatic, just a promise that the White Walkers are on the move and coming to take over the world. It’s anticlimatic because that same threat’s been floated all season long.
– I’m glad I saw it, but I don’t think it’ll go down as my favorite season of all time.
– Content Warnings: They don’t slap that TV-MA up for no good reason. Same shenanigans as before with seeing way more of the characters than we probably ought to. Strong language. HBO-esque stuff.
Conclusion:
With Game of Thrones, never get too attached to any of the characters.
Associate links to follow…
(If you click through and buy something, there’s the chance I’ll earn like $0.04 … not kidding, that’s basically it.)
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I don’t own the rights to the pic. I’m assuming it was a general promo pic created to generate buzz when this came out ages ago.
Spoilers Definitely Included:
Let’s face it, people, if you are seeing it this late like I am, you either know the whole story, don’t mind spoilers, or shouldn’t be reading this.
Summary:
As the last stages of summer, troubles brewing everywhere. King Robert Baratheon (sorry about spelling, never read the book) just lost his Hand (kind of like a viceroy) and wants his old friend Ned (Lord Eddard Stark of Winterfell) to take on the role. Elsewhere, the last vestiges of the noble house Targaryen live in exile and plot for a way to retake the seven kingdoms of Westros.
Additional Comments:
– It’s a heck of a lot more complicated than that.
– People have told me for years that I’d like the show and the books that formed the basis of the show. I finally had the time to sit down and catch up.
– Story 5/5: Who doesn’t love a story rife with backstabbing (literally and figuratively)? The characters excel at conniving. Some of the best conversations are the ones where they’re threatening each other through compliments. The dangers aren’t solely from within. Winter is coming. And along with winter there’s the threat of White Walkers and Wildlings from beyond the Wall, literally a giant wall meant to keep out dangerous things.
– Characters 4/5: There are redeemable things about most of the characters, except Joffrey, pretty sure you’re just supposed to hate his whiny little guts. Sansa’s pretty annoying too. Perhaps in future seasons she’ll be more useful. I love Arya. She’s adorable and spunky and she makes friends with many people. They don’t stretch her character quite yet, but there’s definitely potential to expand her role in the future. Ned’s too honorable for his own good. Cersi’s a right creeper. So is her brother, Jaime. I kind of like Tyrion. He’s definitely got redeeming qualities even while being a typical scheming Lannister. Dany’s journey is sad.
– Worldbuilding 5/5: It’s a very large world. It’s really hard to keep all the people and places straight sometimes. Magic and such is actually kept to a bare minimum in this season. There are hints of things to come though. It’s a little hard to track the passage of time. Sometimes the world gets too big because they’re juggling like 4 story lines at once. When they return to one you’re like who the heck are you?
– Content Warnings: Excessive sex, gore, language, and violence. Typical HBO. You see way more of the characters than you want to. Innards come out, blood gushes, heads roll… in short, people die in pretty much every conceivable way here. Nearly every episode features a sex scene of some sort. It’s actually just tiresome.
Conclusion:
If you can get past the HBO nonsense, there’s a worthwhile story with very interesting characters in Game of Thrones.
Associate links to follow…
(If you click through and buy something, there’s the chance I’ll earn like $0.04 … not kidding, that’s basically it.)
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Devarius and a rag-tag band of refugees flee oppression at the hands of the evil empire. For years, the Resistance has bided its time, trying to build, hide, and build some more. Devarius and crew just might give them the edge they need to rise up against the Dragonia empire.
Additional Comments:
– Plot 4/5 – It’s a tried but true plot: the evil empire beating up on everybody and the pure of heart standing against the oppression.
– Pacing 3.5/5 – A huge chunk of the book covers the search for the Resistance. In hindsight, this could have been summarized in a chapter or two because the “real” action doesn’t really happen until they reach their destination.
Side note: Various characters from the Dragonia Empire have bit parts in here, but none really stand out enough to become familiar. I like their parts, but I think the page count could have been evened out a little more to focus on their motivations.
– Characters 3.5/5 – Devarius is a decent enough fellow. I imagine most readers will end up caring about his fate. I don’t remember the love interest’s name, the first lady, or the sidekick. I do remember the sidekick managed to annoy me on several occasions.
– The love angle 2.5/5 – Nearly every conversation with the love interest goes like this “I want to come. I can help.” Devarius – “You can’t come. I can’t think around you.” Love interest – *frustrated brooding* “Okay, fine.”
– World-building 4/5 – I love all the details here. The different powers for the wyverns are really awesome. Dragons stand out quite a bit.
– Final Battle 4.5/5 – Well-described and epic. (Motivation for the battle stands on shakier ground, but it’s still a great fight scene.)
– Narration 4/5 – Nicely handled.
– Closure 3.5/5 – There’s an unspoken “to be continued” on this story. Personal preference, I need more closure than that. It’s a good pausing place, but there’s so much left unsaid and undone.
Conclusion:
There’s definitely more to the story. If epic fantasy is your thing, check out the Dragonia series.
Associate links to follow…
This Book…
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A young Rider leaves the comfort of home to track down a dragon hatching snatcher. He vows to bring justice, but is that the only way?
Additional Comments:
– It’s been long enough since I heard the first book that I had to spend the first bit orienting myself with the world again.
– Since I heard the audiobook, I was totally picturing Brayden, not Braidyn, but that’s cool.
– The little dragon baby (Perci? Sorry about spelling) was adorable, even if she is still inside the egg.
– Plot (4/5): Things progress logically. We get to meet Braidyn and get a brief feel for his sense of justice and fairness. Then, after the eggs go missing, he sets out on the larger quest to bring them back.
– Characters (3.5/5): Several characters’ motives didn’t seem as strong as they could be. I get that the guy who stole the egg was disgruntled, but that whole thing could have gone down without the middleman so to speak. The returning characters act as support for the young main character.
– World-building (4/5): The introduction to a new culture provided a nice touch. The Riders from the South don’t do much to adapt, but they do foster a decent relationship with the new people.
– Although several well-described fights happen, there’s not much danger sense throughout. That might be due to trying to keep it MG friendly.
Conclusion:
Kid-safe dragon adventure story.
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About 8 separate tales featuring dragons of all shapes, sizes, and temperaments.
Additional Comments:
– I heard the audiobook, and I went into it knowing I already like the narrator. This is one of the first books that I had a hard time finding on audible due to the fact that there are like 6 different versions. Since it’s a public domain book, quite a few people have taken a crack at it.
– The narrator indeed put on a lovely performance.
Here are my individual ratings for the stories:
– The Book of Beasts – (3/5) Lionel lets out all sorts of things from a magic book. Kind of just wanted to smack the small idiot king.
– Uncle James, or the Purple Stranger – (4/5) a kingdom has animals that vary in size from what we’re used to. Intriguing twists involved here.
– The Ice Dragon, or do as you are told – (4/5) Sort of a moral “here’s what sort of trouble you get if you don’t listen” tale. Features really annoying dwarves.
– The Island of Nine Whirlpools – (5/5) This is what you expect when you think tales with dragons and princesses.
– The Dragon Tamers – (4.5/5) Not sure why it starts so early in the timeline of the story, but it’s a fun tale overall.
– The Fiery Dragon or the Heart of Stone or the Heart of Gold – (4/5) Typical tale of strange magic rules of saving somebody.
– Kind Little Edmund or the Caves and the Cockatrice – (3.5/5) That poor kid. This one hit several bizarre buttons in me, even for a fairy tale.
Conclusion:
These are classic style fairy tales. As with any collection, I enjoyed some way more than others. It’s somewhat disappointing that the last one didn’t connect well with me, but it’s a worthwhile collection of stories.
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*This is a guest post put together by Christina Amy Guglielmon.
Remember the excitement of listening to a new vinyl or CD album, listening to every track in order, feeling and sensing the flow of one song to the next, and–if you particularly were into CDs–flipping through that music packet to pour over the lyrics and get as much as you can out of just 10 songs? Ha, well I remember this, and maybe you do, too. For me at least, there seems to be something magical that happens when I clear away distractions around me and concentrate solely on the music–its melody, rhythm, lyrics, flow….all of it!
Music is Awesome:
Music is an experience like no other, engaging our imaginations, intellect, feelings and emotions, and even something deeper inside of us. We may call it our souls or our spirits. Whatever it is, we know it’s real and that music activates it.
Ha, maybe I’m the only one who gets this sentimental over music, but I bet there’s at least a few of you who feel that way, too. If that’s you, then this playlist is truly for you, for those of us who often need music to understand life, to understand our stories as well as other people’s stories–both true and fictional.
Come Join My Process:
This music playlist is my way of processing and exploring Julie’s story, Reclaim the Darklands.
I invite you into this listening process! Every song is chosen for a reason, and track order is also chosen with intention. Both Julie and I dialogued about the playlist, so she was a part of the process as well!
(Me – Yeah, you should see the size of the list of songs that didn’t make the list. It was a fun process to go through.)
Everyone comes away from listening to music experiencing something a bit different, and that’s OK and beautiful! We are all different people with different tastes in music. Some of these songs will connect with you, others won’t, and some may take several re-listens to catch the meaning. Don’t feel the need to rush the process–enjoy the music and let it take you on a journey!
Some of the songs I imagined as musical themes for characters, others as score pieces for different scenes in the book or overall themes, and still other songs as linked to certain chapters in the book. A lot of these songs can apply to more than one situation in the book, and maybe you would place the song in a different part of the story or link it up with a different character than I did. Your interpretation of the music and story may differ from mine, and that’s awesome! This is my process! What’s yours? (Feel free to comment below.)
What follows is some of my thoughts on each piece of music as it pertains to the story. Consider this as the CD album packet containing the lyrics. The difference here is that I’m discussing my thoughts on each song and full lyrics won’t be given, but do look them up if you’re interested! You can use this as a resource for the playlist, so scroll through it as you’re listening (or better yet, after you listen!)
This post is part one where the first 13 songs are listed. More parts will follow! Enjoy!
________________________________________________
PLAYLIST TABLE OF CONTENTS PART 1
Playlist Link: RECLAIM THE DARKLANDS PLAYLIST
***Contains spoilers if you have not read Reclaim the Darklands***
(Linked titles are Youtube videos I could find.)
BRIGHT ONES
Chapter 1 of Reclaim the Darklands opens with the Keris Council forming the Order of the Redeemers. The council aims to restore a sense of unity and hope among the people as the Resolute and dark forces seem to be gaining ground. The lyrics in Bright Ones, “We are Your bright ones / Lit up with Your love / Glowing in darkness” reminds me of the Chosen Redeemers, the people the One selected to be bright ones in dark days. And these ones are indeed, “carriers of promise.” The people of Aeris have long awaited the rising of the Chosen Redeemers, and now that these Redeemers are awakened, they are “alive to be a witness.” In context, this type of witness is not passive, but active; it’s a testifying to those promises foretold. Even though the Chosen Redeemers play a role in pushing back the dark forces and bringing healing to the land, every person in Aeris has their place and role. In this chapter, we see a glimpse of that taking place, and so the bridge in this song is truly where I see the strong tie-ins to chapter 1:
“See us rising from a distance
Your light’s burning bright within us
See us rising from a distance
There’s no darkness that could dim this
(You’re lighting us up)”
These are strong declarations of a community choosing to be the light in a world that’s fallen to destruction and ruin, but they aren’t merely choosing to be a light in the generic sense. The Chosen Redeemers specifically know that they gain their strength and gifts from the One. This is the One’s light that is burning within them. That said, the lyric “your light’s burning bright within us” can also refer to a specific Chosen Redeemer (i.e. Katrina) who burns with a fire inside of her.
RIGHT WHERE YOU WANT ME
This is what I imagine one of Vic’s theme to be. By this point in the series, Vic is confident in the One’s ability to protect her from the Outcast. She has learned how to rely on the One and step into dangerous situations with a confidence not only in her identity as a Chosen Redeemer, but also in the One’s power.
The lyric, “There’s a war that’s raging over me / But I know the One who holds the victory” applies to Vic, especially given her name means “victory” (most songs that relate to Vic deal with victory in some way). Vic is a victorious one precisely because she accepts the identity the One gave her and she trusts to the One, who is always protecting her in the midst of the wars raging over her. This whole song is a confident declaration where Vic stands strong in the battles “raging over [her],” knowing that the One is her protection, and because of that “all [her] enemies are paralyzed.”
WATCH YOUR BACK
In chapter 2, we’re reminded that Vic, her friends, and all the people of Aeris are constantly pursued by dark forces, especially the mastermind behind it all–the Dark Man–who indeed masquerades behind many pretenses to lure people into his trap. The people who are not alert to this are easy targets for the Dark Man, and quickly become his prisoners. The people, then, need to stay alert and “watch their backs,” so that they won’t fall prey to the Dark Man and his traps. This phrase “watch your back” is also something we see the Dark Man himself almost telling Vic and her friends as a threat “you better watch your back.”
WARRIOR
For me at least, this song communicates the way Vic & Gwynne are connected in their Chosen Redeemer roles as if they were sisters, and Vic is searching to find Gwynne. I can imagine Gwynne almost speaking to Vic, “You know where to find me” and Vic saying to Gwynne, “I know where to find you.” When Vic is searching for Gwynne, I see her being someone who–if she could send a message to Gwynne–would say to Gwynne in order to comfort Gwynne that soon Vic will find Gwynne, “Oh my darling I am getting closer, hold on tight.” I could see both of them saying to each other, “I could be a warrior, yes I am a warrior / There’s no need to worry, love / Look around it’s glorious / Close your eyes and taste the sun,” but I especially see Vic saying this to Gwynne. Gwynne means “white, light, fair” and so many of the songs that relate to Gwynne concern the light and the sun. I see Gwynne as someone who was born to “taste the sun” and when Vic & Adam get rid of the evil spirit attacking Gwynne, it’s as if Gwynne is able to taste the sun again–she’s set free of that evil spirit. She is a pure one with great wisdom and both her and Vic discover what it means to be “inside the light” throughout their adventures. Although each Chosen Redeemer has a different role, they are all warriors in their own ways.
WHO ARE YOU
By this point in chapter 4, Vic and Adam find Gwynne, but when Vic sees a shadow pass in Gwynne’s eyes, both Vic and Adam know something’s wrong–an evil spirit is oppressing Gwynne. I can see these lyrics coming from the evil spirit directed at both Adam and Vic as they drive this spirit away.
THE RETURN
The beginning 20 seconds of this piece captures–in my opinion–that eerie terror of coming face to face with evil creatures. And then the song morphs into a moment of freedom from those evil creatures. The song builds toward a victory and then becomes sentimental. The very context of this piece is concerning a beautiful moment of friends finding one another after an evil attack. This is what I imagine a score piece might sound like for the scenes in chapter 4 where Vic & Adam fight the evil spirit & it flees, leaving the Chosen Redeemers to finally connect with each one another.
GOLD
After Gwynne is freed from the evil Spirit these lyrics are what I imagine Vic might say to Gwynne. The theme of light relating to Gwynne is carried through in this song as Frida sings, “We will glow / Oh, this is gold.” This also relates to broader themes in the series of stepping into identity: “We will be kings and queens / Don’t be scared, no.”
BLACKOUT
This song begins with a musical sound that is very similar to the music in The Return. As much as possible, I like to link themes and characters with a similar musical sound. This song is one of Gwynne’s themes. The lyrics in Blackout contrast the evil spirit’s attack that just happened. In spite of the evil spirit that tried to come against Gwynne, Gwynne is a light, and “you can’t turn out a light shining from the inside.”
This song begins with the lyrics, “I ride the dawn / It’s in the name I was given / Can’t get away from the meaning / I’ll always rise, I’ll always shine…” and , as said before, Gwynne’s name meaning is “white, light, fair,” so it really is the name given to her. The phrase “In a blackout” is a good way of describing how the evil spirit tried to cloud Gwynne’s vision. What Gwynne experienced was like a blackout, but she is already a confident character who knows her Chosen Redeemer role. She’s confident that “I will illuminate the dark / You won’t escape the beaming.”
But then the lyrics change from I to we, indicating Gwynne is joining up with the Chosen Redeemers and now this whole team of Chosen Redeemers (and even the good people of Aeris) stand up in the battles raging around them and declare, “In a blackout / We will illuminate the dark / They won’t escape the beaming.” It’s a slight nuance, but I think an important one. This is a major theme carried throughout the whole series: everyone needs to work together in order to defeat the dark forces. It’s not Vic alone who is left with the task to reclaim these dark lands and overcome the Dark Man’s evil strategies. Vic has to rely on other people who have their own unique gifts and roles. Everyone has a role and they are all stronger if they work together as a team. So it’s not just I will illuminate the dark, but also we as a collective team will illuminate the dark. We are going to bring light to these dark lands.
LIFTED AWAY
This song can be like a summary of Gwynne being found and freed from the evil spirit. It also speaks of what Gwynne will eventually do for the Dark Man’s prisoners.
Verse 2 can be understood as Vic saying this to Gwynne, but also as Gwynne saying this to all the Dark Man’s prisoners. It is often that when we’ve personally been set free, we set others free: “Give me the rope that is tied around your neck / I’ll cut it away / I’ll set you free as you should be / No longer must we live under these burdens / Your my beloved, my kin, no more a slave” That last line is key for this whole series as the Chosen Redeemers are helping the people of Aeris to see their fight is not against one another–they are all kin. Their real enemy is the Outcast.
PLANETS
This song I imagined as Gwynne’s theme song.
“I say to my body, you were made for living
I say to my mind, you were made for dreaming
You were made, you were made, you were made for this, for this”
Every Chosen Redeemer has had their moment of coming to the realization that they were made for this. Gwynne is already confident in this, but I like to imagine that these opening lyrics would be her sometime before we meet her coming to this realization and confidence that she is a Chosen Redeemer. My interpretation of Gwynne and what stood out to me is that she’s a character who gives deep wisdom that seems so simple, adults might think it too simple to be true. Adults often overlook the deep wisdom a child can give and will call children “dreamers” with their heads in the clouds or just naive, but it often these very people who offer us great wisdom that should be heeded. It would be wise of all of Aeris to listen to Gwynne’s deep wisdom. Dreams take place in the mind and out of the four different Chosen Redeemers, Gwynne is the mind. The theme of being a dreamer will come up later on in relation to Gwynne, but I wanted to establish that in the beginning for Gwynne so that when we come near the end of the playlist, we see that Gwynne has been a confident character from beginning to end. And I think the things she gives away to others were coming from a grounded place of her own identity–maybe that’s just my interpretation.
This song makes multiple references to light. As I said, almost every song pertaining to Gwynne deals with light in some way given her name meaning and who she is as a pure, fair one with great wisdom.
THE HATE INSIDE
In chapter 5, the Resolute’s hatred and prejudice toward the Saroth is on display. Any kind of hatred like this will, indeed, eat all of us alive if we succumb to it. I can see Lady Christa (as well as the Chosen Redeemers, the One, the Lady, and anyone who sides with the One) saying these words to the Resolute, “The hate inside will eat you alive.” In this chapter, Lady Christa says to Lady Callista, “[…] I’ve heard enough hatred for one day. The Saroth are a people like us. There are good and bad people among them. You cannot condemn the whole for the actions of a few.” This is one of the major themes in the whole series. On one end, you have a group of people who are bent toward hatred and prejudice of “the other.” The way these people approach life is to find an enemy in “the other.” But on the other end, you have the Chosen Redeemers and those who stand with them. They see the innate value of every people group–of the Saroth, the Arkonai, and the Bereft–and approach life trying to build a family and community among all of the various people, seeing that their only enemy is the Outcast, but among each other, there is no enemy.
Indulging in hatred toward other people is like willingly choosing to be bound by chains. It’s a slavery in and of itself. The whole Redeemer Chronicles series demonstrates this powerfully and the lyrics of this song also communicate this powerfully, especially the first verse: “The walls of freedom / Come crumbling down / The moment you put those chains / Around you now / Like liquid poison / It takes its toll / Black feathered arrows / That pierce your soul.”
Hatred enslaves the Resolute and pierces their souls. Thankfully, though, one particular Chosen Redeemer is especially gifted at restoring souls.
FREE One of my personal favorites…)
My interpretation of this is that this song relates to the Saroth/Arkonai divisions, especially seen in chapters 5 & 8. In chapter 8, we see that Galeric spreads lies concerning the Saroth in order to enslave them and justify his prejudice and hatred of them. In a way, the Saroth are “known by the sin of [their] fathers…” and those sins are actually lies that were spread about them. They didn’t do anything wrong, but they’re still known as ones who have done wrong things. So from the Saroth’s perspective, they might say to one another, all of these lies about us are gonna be brought to light and the truth will be known about us, and we’ll finally be free! This lyric “hard evidence is power” reminds me of how in chapter 8, the truth that the Saroth didn’t spread the disease is brought to light. Hard evidence is brought up and that (with Gwynne’s help) makes the people realize that Galeric is lying. The lyrics, “Secrets tell a million lies / To build the walls they hide behind” describe what Galeric and the Resolute are doing to exclude the Saroth. Galeric & the Resolute are indeed building walls against the Saroth.
On a more broad note, however, this whole song can be understood in terms of the Dark Man lying to the people of Aeris and the Chosen Redeemers saying that truth will come to light so that all of the prisoners bound to the Dark Man may be free if they so choose to leave the Dark Man’s lies.
BE A WITNESS
As we consider the themes in the previous song (and so in the story), something is probably rising up in us that says we will no longer stand by and watch injustices happening. We will no longer stand by and watch lies being spread. We will no longer stand by and watch hatred and violence ravage our streets and lands. We must stand and not remain quiet any longer. And that is exactly what the Chosen Redeemers do; they take a stand for the sake of the peoples of Aeris and the land that it would be free of hatred, free of lies, free of the Dark Man’s slavery. The One and the Lady awaken them to stand up and be the leaders they are called to be. In the first book, we see Vic awaken to her Chosen Redeemer role. At first, she’s hesitant and timid, more of a witness to the evils plaguing Aeris than a participant in opposing these evils. In book two, however, Vic is beginning to understand she is meant to restore and heal to her land and lead the people to fight the real enemy–the Outcast. In book three, Vic has embraced her role as a Chosen Redeemer and she no longer can stand to “just be a witness.” Her natural response is to stand up to see the people of Aeris be free of the Outcast’s grip and be healed from their brokenness and battle wounds. This theme of standing up and not merely being a witness is woven throughout the series.
The lyric, “So if you wanna watch the war break out / If you wanna let your silence shout / You can, but I won’t just be a witness, I’ll stand” ties back in the theme of “the war raging over [Vic].” Vic chooses to stand with the One at her side.
This can be related to many of the other characters as well. But there are others who are too afraid and overcome by the Dark Man, so they do not stand, and because of this, they are easy prey for the Dark Man and become his captives without much of a fight. People like Dina would probably be just as powerful as Vic if only she took a stand, but instead she chose not to and became a slave to the Dark Man’s plans. It’s powerful for me to see the contrast between characters like Sara, Tellen, Katrina, Gwynne, Vic… and characters like Jordan, Dina, Emilio. Every person has a choice of whether to stand up against the Dark Man or to give in to apathy and do nothing about it (which inevitably leads to becoming a slave to the Dark Man). People like Dina essentially say that the Dark Man is far too powerful to overcome, so they might as well join him rather than fight him. But the truth is demonstrated by characters such as Vic or Sara who trust to the One regardless of how great and terrible the Dark Man seems. They resist the evil forces and always believe that there is hope for overcoming the Dark Man’s plans. They choose to take a stand rather than remain complacent toward these evils. And they succeed.
This is a powerful theme for me to take away: we can choose to take that stand and fight for the good things in this world. As Tellen, Vic, and Katrina all say–there is much that is still worth fighting for. So why not take a stand? Why only remain a witness when we could rise up to be the redeemers, the healers, the restorers that we were born to be?
The verse and chorus sung by multiple voices gives that sense of working together and being a collective and a community who will stand against the evils destroying the people and land. They stand for the change that will bring freedom. This collective can be all the people of Aeris, but also the Chosen Redeemers. The different lines can apply to many characters, but can also refer to specific Chosen Redeemers (hint: one of the lines uses the word “dream.”)
“We’re gonna take the streets
Marchin’ for a bigger dream
Shout til the blind can see
It’s time for us to be free
We’re gonna bring the rain
We’re gonna light the flame
Stand till we see the change
Human we’re all the same […]
But I can’t just be a witness”
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Conclusion:
Ya’ll are amazing! If you made it this far, thanks for coming along on the journey!
Will be back soon with part 2!
Associate links to follow…
Amazon Prime
Free Kindle Reading App
Audible – If you’d like some free codes, please email me at [email protected] with requests for any of my works.
Adana the Earth Dragon: An Elemental Tale by Debbie ManberKupfer
Narrated by Fiona Thraille
4.0/5 Cute, Very Short Story
Summary:
This is a very short story about an Earth dragon that basically follows a typical kid’s story arc. Nobody pays any attention to poor Adana until her unique talents save the day.
Aside: I must say this has one of the cutest covers I’ve seen in a while. I heard the audiobook but I’m sure the illustrated version is beautiful, if I’m allowed to judge the book by the cover.
Additional Comments:
– It’s only 13 minutes as an audiobook.
– The morals are very clearly defined but don’t come across as too contrived.
– Adana is sweet. The other dragons are a bit bully-like until they need the heroine.
– There’s very little to no danger involved.
Conclusion:
Short and to the point children’s book.
Associate links to follow…
Amazon Prime
Free Kindle Reading App
Audible – If you’d like some free codes, please email me at [email protected] with requests for any of my works.
Whenever you pick up a book by Marc Secchia, you can expect epic adventure. He’s created quite a wide world of dragons, shapeshifters, and humans locked in strife.
The Review:
Summary: Pip gets snatched away from her family and put in a zoo. There she befriends Hoonago (sorry about spelling, I heard the audiobook), a giant ape-like creature. After that, she’s rescued/ kidnapped by a dragon and taken to a dragonrider school.
Additional Comments:
– World Building – 5/5 The story’s full of imagination and neat world-building. The story fits within the same world as Aranya, though if asked to compare, I think that book’s better.
– Pip’s kind of a fun character.
– Pacing 3/5 – Parts of this book are unnecessarily long. I heard the audioversion, which made those sections bearable, but I don’t think it really got to the “meat” of the story until quite a few hours in. The time spent describing the zoo could easily have been halved and still given readers a feel for the horrors Pip faced.
– The end didn’t have as much closure as I like, but it’s still a good story.
Content warning: Recommended for upper teens and adults. While there’s nothing I’d consider steamy by any stretch, there are a few references to nudity and subtle suggestive comments made by some of the characters.
Conclusion: If you like dragons, Marc’s definitely a writer to check out.
Conclusion:
This is the second story I’ve listened to by this author. The narrator did a decent job, but I didn’t love his voice as I did with the narrator of Aranya. I know it’s a companion book, but it still sort of suffered sequel syndrome of not quite being as good as the first book experienced. That said, it’s still a solid fantasy read.